Displaying a picture of Alain Delon and Luchino Visconti, he explains that for him, the picture is about the photographer being in love with his subjects, a theme he comes back to repeatedly. ![]() (Christian's drug use caused the family intense pain.) Weber discusses his photo collection and the photographers who've affected him: Larry Clark, Alfred Stieglitz, the Westons, David Bailey, George Platt Lynes. The Fletcher family, who became friends of Weber's when he photographed their son Christian, a professional surfer, for Interview magazine, brings fearless and aggressive energy to the screen, and we see the attraction they hold for Weber, even as they discuss the dark side of all that masculine daring. It's clear that he admires the freedom and exuberance with which she lived her life and sang her music. Her lover, Teri Shepherd, reminisces about Faye, and Weber shows clips of her appearances on "The Ed Sullivan Show" and other variety shows and concerts. A good portion is dedicated to the late singer Frances Faye. The movie is a swirl of music, models, celebrities, artists and art. It's as if we're viewing an artist's scrapbook, and we see the color, form and motion that informs his work. The film was projected from video at the San Francisco International Film Festival (Weber and his producers have yet to strike a 35-mm print) and uses as sources a variety of film and video stocks. Weber redefines "Chop Suey" to mean all the bits and pieces of life that go into creating a sensibility and an aesthetic. The striking Johnson is featured prominently, but the film is something different, something more. Weber's 1999 monograph "The Chop Suey Club" featured pictures (many nude) of model Peter Johnson, and fans of that book might expect the film to be a live-action recapping of those modeling sessions. "Chop Suey" is about why an artist creates - the various influences, obsessions and loves that compel him to work. Its originality also defies classification, which might make it a difficult sell to moviegoers, though the film will attract fans of Weber's earlier work and his renowned fashion photography. Upon signing to Atlantic, Needtobreathe headed to the UK to record their debut album, "Daylight," with British producer Andy Green (Keane.īruce Weber's third full-length documentary (after "Broken Noses" and "Let's Get Lost") is a film of extraordinary beauty and singular vision. With "The Heat," Needtobreathe blazes a new musical trail, revealing not just the depth of its spirit, but the far reaches of its soul. Songs such as the acoustic-tinged "Again" and the rejoiceful "Signature of Divine (Yahweh)" see the band melding warm, organic textures to their powerful brand of skyscraping, heartfelt rock. Atlantic recording group Needtobreathe makes a powerful homecoming with their eagerly anticipated second album, "The Heat." Co-produced by the band alongside Rick Beato (Shinedown, Jump Little Children) and Collective Soul mastermind Ed Roland, the record sees the South Carolina- based rock outfit digging into their down-home roots to create a remarkably passionate and personal new collection. ![]() ![]() Seattle Theatre Group (Stg) presents Needtobreathe with special guests Serena Ryder & The Alternate Routes on Saturday, Octoat 9:00pm at Chop Suey.
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